TSL PRODUCTS’ SOUNDFIELD MICROPHONES DELIVER THE EXCITEMENT OF BASKETBALL AND PRO FOOTBALL GAMES TO THE VIEWING AUDIENCE
MARLOW, UK, JUNE 16, 2014 – Top audio engineer Jonathan Freed, a freelance network mixer, is relying on the SoundField DSF-B Digital Broadcast System from TSL Products, the manufacturer of audio monitoring, surround sound microphones and processing, tally/studio-control systems and power management solutions, to capture the action and atmosphere of this year’s pro football and basketball games across the U.S. Freed frequently employs the SoundField DSF-B Digital Broadcast System to capture surround sound in both expansive, outdoor stadiums filled with 60,000 to 80,000 sports fans and enclosed arenas featuring 20,000 enthusiasts. The SoundField DSF-B Digital Broadcast System offers Freed easy setup, flexible operation, reliable performance and excellent sound quality.
“The SoundField DSF-B Digital Broadcast System allows me to hone in on the crowd sounds of the field or court and control the ambience to ensure that the audio of the cheering fans doesn’t overpower the audio of the sports commentators and the live action. Furthermore, it is very convenient for me to be able to change the directional parameters from my workspace in the OB truck when working in the field, to guarantee that the audio space matches my vision of what the arena or stadium should sound like in that perspective. The SoundField DSF-B Digital Broadcast System delivers that capability perfectly.” says Jonathan Freed.
Due to the flexibility and ease of setup that embodies SoundField products, Freed is able to position the DSF-2 Microphone in one location within a stadium or arena, running two AES lines from the microphone down to the OB truck. Since the mic is capturing audio from a single point, as opposed to a multi-mic setup, audio quality is consistent within the different locations from broadcast-to-broadcast and configuration is achieved quickly and efficiently.
The SoundField DSF-B Digital Broadcast System, consisting of a DSF-2 surround microphone, DSF-2 controller and DSF-3 processor, can generate multi-channel audio from a singlepoint source. The microphone itself is made up of four high-quality, precision-aligned condenser elements to capture a 360-degree sonic panorama. The resulting, proprietary B-Format audio stream allows Freed to dial in the directional orientation of the signal, using the DSF-2 controller to maximize the surround ambient field that supports all other audio content, without physically moving the microphone. The DSF-3 Digital Surround Processor allows Freed to take B-Format signals and decode them into any current surround format, delivering a phase coherent signal that won’t suffer from the upmix/downmix process.
“I love using the SoundField DSF-B Digital Broadcast System, because the DSF-2 microphone feed captures a huge, natural-sounding surround soundscape,” continues Freed. In conjunction with the SoundField DSF-B Digital Broadcast System, Freed also uses regular, high-quality microphones to provide him with additional feeds for commentary and effects. SoundField is the anchor for 5.1 surround ambience that I rely on now for top-level sports programming. I owned my own recording studio more than 25 years ago and, even then, dreamed of using SoundField. Now, I am finally able to use the company’s microphone systems in my line of work and could not be more pleased with the products for their reliability, flexibility, ease of use and great sound quality.”
For more information, please visit www.tslproducts.com.