Testimonials

Testimonials

Hear what our customers have to say about our products, support and services in our testimonials.

Mr. Chu Cun

“The TSL PAM2 MK2 gives us the power to monitor loudness for compliance with new broadcast standards, accurately meter audio for many sources and provide phase information. We are very pleased with the performance of the PAM2 MK2 units.”

TSL A4 Case Study_Beijing TV v.2lr

Mr. Chu Cun
Head of Technical Operations at Beijing TV
Mohamed Hamid

“The PAM2 MK2 is an excellent fit for Dubai TV as we move them forward with a 3G-enabled workflow – it really takes the complexity out of complex and critical audio tasks – especially with regards to Dolby decoding and loudness-compliance monitoring“

 

TSL A4 Case Study_Dubai Media v.2lr

Mohamed Hamid
Project Sales Manager, Qvest Media
Paul Fournier

PAM2-3G16 is an easy-to-use package that gives NEP Visions the confidence that the audio streams from our OB vehicles will arrive at their destinations on the right channels, with the correct coding and the correct loudness.”

 

TV Technology US reprint NEP Visions

Paul Fournier
Head of Sound at NEP Visions
Lee Blanco

“We work with all types of audio, analog, AES, de-embedded, stereo and 5.1. The PAM2-3G16 units can handle all sources with ease and have the ability to decode all DolbyE signals,”

 

 

Lee Blanco
Director of Engineering at All Mobile Video
Zhao Yun

“What we found, and continue to find, in TSL’s audio monitoring products are their high quality and incredible ease of use.” Touchmix: “TSL went on to make some alterations and improvements based on our operational workflows, adding some exciting functions and features, which we very much look forward to see fully deployed across SMG.”

 

TSL A4 Case Study_Shanghai Media v.3lr

Zhao Yun
Senior Systems Engineer at Shanghai Media Group
Jonathan Freed

“To my ears, the SoundField DSF-2 has a distinct sonic fingerprint – it sounds extremely realistic and spacious.”

High-profile US sports events for the major broadcast networks, including the Winter Olympics every four years, NBA Basketball

Jonathan Freed
Broadcast Mix Engineer
Mark Hornsby

“The recordings made with the SPS200 are what I’m using to mix. It’s a great, open-sounding microphone, although actually, I think of it more as a recording system than just a microphone. Having the ability to repoint microphones in the mixing environment, after the session, is amazing to me.”

Mark Hornsby
Producer on a recent orchestral session at Abbey Road Studios
Andy Appleyard

“The flexibility of Tallyman is one of the keys to QVC’s new facility. Tallyman’s touch screen control panel provides what QVC wanted right from the beginning, the ability to throw control from Live Control 1 to Live Control 2, and vice versa, with the push of a single button. This means that any, or all, of the five key operations instantly become live in the other room. That means it can be a split-live operation with all the advantages that has to offer. It’s a complex system to develop and test, but once installed it’s incredibly smooth and intuitive.”

Andy Appleyard
Project Manager, TSL Systems
Jean-Philippe Ovaert

“We had to comply with a detailed list of technical features and the PAM1-3G8 met all of those requirements, but with even greater possibilities. Because this deployment is seen as a trial run for the 2010 FIFA World Cup, we wanted to ensure that our audio monitoring technology would include Dolby decoding and measurement as well as metadata control. The PAM1-3G8 offers all of these features, as well as the ability to see the signal that it is measuring, which is extremely helpful when you have a lot of signals to control.”

Jean-Philippe Ovaert
Head of Audio Engineering, Alfacam
David Addey

“BBC Sport had a very clear idea of the workflows they wanted to achieve at MediaCityUK,” said. “There were a lot of points at which they needed audio mixing as well as monitoring for quality control. We could not find a single device that was affordable and compact, so we were delighted when TSL said they could adapt their existing technology to provide the functionality required (Touchmix).”

David Addey
Dega Broadcast Systems
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